Category Archives: Teachers

Some posts aimed directly at teachers rather than students.

Teacher of the Year Awards

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Here’s audio from my most recent interview: with Miles Dungan on RTE Radio 1

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or click directly on this link: http://soundcloud.com/leavingcertenglishnet/todaywithpatkenny

Here’s the audio from my interview on newstalk

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If that doesn’t load properly just click this link instead: http://soundcloud.com/evelynoconnor/evelyn-on-the-right-hook

The article from thejournal.ie that made my acceptance speech go viral http://www.thejournal.ie/teachers-permanent-non-permanent-evelyn-oconnor-teacher-of-the-yea-502993-Jun2012/

Some further food for thought:

So why are we blindly copying the mistakes that were made in the UK and the US instead of following best international practice to improve our education system and make it once again the envy of the entire world? We were the Island of Saints & Scholars. We have become the island of Rote & Regurgitate. We want to be the Island of Dreaming & Doing.

Let’s debate this properly.

Book Covers

I have to admit, until recently I’d never given a huge amount of thought to the process involved in designing a book cover.

I love books, always have, and worked for a couple of years in the best bookshop in Ireland (Charlie Byrne’s Bookshop in Galway for the uninitiated) but I loved the words IN the book more than the pictures ON the book. I’m sure on recollection that a striking cover has often grabbed my attention but it is the opening page that either gets me to spend my money or prompts me to quietly place the book back on the shelf.

A little more recently, after I’d already begun my teaching career, I remember mocking any of my friends who chose one of the ‘adult’ dust jackets when purchasing the Harry Potter books. I thought it somehow foolish or dishonest not to admit that yes, you were reading a kids book, and by the way you were bloody well enjoying it too!

But someone, somewhere, in the marketing devision of a publishing house decided once upon a time that you could get more people to buy the same book – people of varying ages and genders, people with widely differing tastes in literature – if you offered them a choice of book cover that spoke to them or reflected who they felt themselves to be.

And I guess if they’ve kept doing it, then it works!

Perhaps they’re playing to how predictable most of us tend to be. We know what we like, and what we don’t like, we tend not to like change and not to take risks. So if a book looks like science fiction from the cover – and we ‘know’ we don’t like sci-fi, we probably won’t even pick it up. Similarly, if a book is in any way pink – or even worse – pink neon! – I will treat it like it has a highly contagious disease. I have decided, in my wisdom, that if it looks anything like romantic fiction, it’s not for me!

So why my sudden interest in the topic? Well, I have to admit to a fascination with the twists and turns the leaving cert. paper 1 in English throws up on occasion. I like the thought that were I to sit the paper, I’d have to apply my knowledge to something I really know nothing about; the notion that I’d have to “ad-lib… unselfconsciously with overflowing speech” and think on my feet in order to do well. Two years ago one such minor curve ball appeared when one of the comprehension questions asked students to compare two contrasting dust jackets for the same novel, “Fahrenheit 451”. As well as identifying the extent to which they captured the essence of the text visually, you were expected to figure out why one appealed to you more than the other. In the process I guess you were identifying who the target audience was in each case and why you were more attracted to one dust jacket over the other.

Rather than waffle on any further about my own lack of knowledge, I instead want to send you in the direction of people who know infinitely more about this than I do. The first is a blog post in response to an article in the New York Times, the second is a Ted talk  I stumbled upon by accident by the truly eccentric book cover designer Chip Kidd.

p.s. thanks to Julian Girdham’s twitter feed @sccenglish, I also have this link for you http://www.shortlist.com/entertainment/the-50-coolest-book-covers

 

 

Personal Essay Titles

Here are a few personal essay titles that I gave to my Junior Certs today. I’m really just posting them here so I’ll have them for again! Most of them are taken from a random selection of previous exam papers. Some of the titles that usually come up lean in particular directions – towards descriptive short stories or dialogue heavy ‘scenes’; others towards journalistic opinion pieces – so I’ve avoided them deliberately because I want today to be about the art of personal writing. What these titles have in common is that they ask you to insert yourself into the essay, to reveal who you are as a person – your thoughts, beliefs, experiences, hopes, dreams, personality and sense of humour.

  1. Heroes
  2. The things about myself I’d most like to change
  3. In 30 years time…
  4. Childhood memories
  5. Life’s little luxuries
  6. A significant event that changed my life
  7. It’s a weird and wonderful world

p.s. Another title I made up recently that produced some interesting responses from Leaving Certs was “Write a personal essay about some of the funniest/most embarrassing moments of your life so far”.

 

 

Why study English?

I’ve just stumbled upon this essay I wrote while doing my H.Dip. It’s no masterpiece but I found it interesting (if a little cringeworthy) to read on a few levels. In many ways it’s like a time capsule, written 10yrs ago and making no reference whatsoever to visual texts, social media, blogging or digital literacy. Even some of the references read like they belong in the dark ages – literacy stats from 1997 rather than our recent PISA scores. Yet it still captures many of the aspirational, as well as purely practical reasons why I still believe fundamentally that the subject I teach matters. Hugely.

‘Justify the inclusion of English as a subject on the school curriculum’

It has been said that we only truly recognise the value of something when we are deprived of it. When a loved one dies their absence encompasses an area much larger than their presence ever did. When we fast for charity, we are hungry from the moment we begin, even though our bellies are still full. So it is with the gift of communication. Something wonderful lies hidden in the everyday acts of speaking and listening, reading, writing and understanding. We take them for granted because we cannot imagine life without them; only those deprived of such jewels truly appreciate their worth. The deaf community embrace sign language as a means of escaping their silent world; the blind use Braille to access the joys of literature. Studying English encompasses so much more than the written word – it embraces oracy and comprehension as well as reading and writing skills; it influences our ability to understand and achieve in every other subject on the curriculum; it provides us with practical skills for dealing with life outside of the classroom; and it nurtures the ‘intellectual, imaginative and emotional growth’ of the individual. In order to justify the inclusion of English as a core subject in our schools we must look at each of these areas in greater detail.

Although English is considered an adopted language on this fair island, one cannot escape or ignore its dominance in modern day Ireland. For the vast majority of Irish citizens it is our first language, the medium through which all communication takes place. If we accept this and leave the debate about the relative value of ‘Gaeilge versus Bearla’ to one side, we are still left with the issue of what exactly it means to study English as a subject. In primary school emphasis is placed on the basic literacy skills of reading and writing but upon reaching secondary school the issue becomes more complex. We make the leap from ‘learning to read’ to ‘reading to learn’.

Therefore our purpose in reading becomes an exercise in decoding the meaning of the text. We no longer write solely to practice the art of writing itself (spelling, grammar, joined writing etc.): we compose in order to express ourselves, to explore our experiences in a variety of forms, such as diary entries, autobiographical sketches, poetry and prose. We learn to express ourselves verbally within various genres – radio programmes, anecdotes, drama. Ideally, we acquire a greater sophistication in our use of language, both when comprehending and composing and a wider appreciation of the forms and functions of language.

Why then is this ability to manipulate language considered such an important part of our education? Surely the language we speak from an early age, listen to on the television and in the classroom, write when filling out forms and questionnaires, read in magazines and on billboards, (or less frequently these days, in books and newspapers) will develop naturally and seamlessly out of our everyday experience? Unfortunately, this is not the case. An OECD report from 1997 found that 25% of Irish adults were functionally illiterate. The 1998 U.N. report on poverty stated that ‘more people in Ireland are functionally illiterate than in any other industrialised country’. Furthermore, psychologists have established an irrefutable link between ability in English and general academic achievement. For the time being the vast majority of subjects are both taught and examined through the medium of the English language. The point comes down to this – those who successfully negotiate the complexities of their first language find it easier to acquire knowledge in a range of other disciplines, and to express this knowledge effectively.

The study of English also provides us with practical skills for dealing with life outside of the classroom. Students learn how to communicate information in such forms as letters, CVs, and application forms. They learn to distinguish between language used to provide factual information (such as death notices) and language used to persuade (such as advertising). In the face of capitalism, an awareness of the various ploys used to target audiences and sell products is essential for those who wish to remain in control of their spending. Social life demands that we adapt our language and behaviour depending on the situation, and the new Leaving Certificate English Syllabus lays appropriate stress upon the variety of registers we use in everyday interaction (grandiose, formal, informal, slang). The aim is to develop a sense of audience and language appropriateness in the students. Our ability to express ourselves clearly effects job interviews, telephone conversations and our relationships with those around us. Studying English is justified if it enhances even one of these areas of our lives.

Finally, the ‘intellectual, imaginative and emotional growth’ of each student is developed through the study of English. As we have already established, language proficiency enhances academic achievement. Furthermore, students are encouraged to criticise, analyse and evaluate the various texts they encounter and to place texts in direct relation to each other through the comparative component of the senior syllabus. They encounter new worlds and experiences in the novels and plays on their course and are encouraged to compose narrative works themselves, thus expanding and actively using their imagination. They encounter a range of emotional states indirectly through literature, film and drama and begin to express and thus release their own feelings through the use of language.

What then is this ‘something wonderful’ that lies hidden in the everyday use of language? For me it is the dawning realisation that language is a living, changing entity to which no fixed, immutable meanings can be ascribed. We communicate with the text as much as it communicates with us; we bring ourselves to any understanding of words and their meanings. Finally, if we can truly grasp and appreciate the notion of paradox, we can bring ourselves to a greater understanding of the human condition: of what it means to be both sentient being and animal, simultaneously good and evil, creatures who believe in a power greater than ourselves and yet have no proof. It is here that the true value of language lies, in the space where deprived of something, we recognise its true value.

Topic of the Week: Inspiration!

The exam hall is probably the least condusive environment for inspiration known to humankind. It is a weird pressure cooker of silence and ticking clocks, all tinged with the internal panic of knowing that 37% of your grade in English relies on you finding something to say and saying it well for QB and The Essay. You have no control over the topics that will appear, nor can you predict whether or not you will be paralyzed by indecision or writer’s block. And they say the Leaving Cert is ‘fair’? ‘Brutal’ and ‘cruel’ are the words that spring sooner to my mind! (But then I am prone to hyperbole…)

So what can you do? Well some people ‘prepare’ essays/short stories and hope one of them will sort of, kind of, ‘fit’ on the day. I have seen this work, but only when the student is (a) the writer of these essays/stories – because they have learned how to become a good writer through practice and (b) clever/calm enough to change it significantly to tie in exactly with the essay title that appears on the day.

More often than not I have seen this fail. Spectacularly.

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