Author Archives: evelynoconnor

Introductions & Conclusions

Think of your introduction as a road map. You have been given a destination (the question) and there are lots of perfectly acceptable ways of getting there. In your introduction you lay out clearly what directions you’ll take in your essay. Your conclusion is where you look back on the highlights of your journey and recap on what you have learnt along the way!

INTRODUCTION: MAKE SURE TO USE THE WORDS FROM THE Q – but don’t begin by simply parroting back the question word for word. There is nothing worse than the predictable “I agree 100% that…..”. You could begin with a quote and/or with a dramatic statement and you must engage with the question asked.

Each introduction needs the following:

  • Thesis (main idea) = eg. Plath’s poetry is filled with the fears we all share.
  • Main topics to be discussed = (1), (2), (3)
  • Answer the Question = PR – my personal response (sentences using “I” or “me”)

Imagine the question is “Plath’s poetry offers us a frightening yet fascinating insight into her personal demons

Sample introduction:

(Thesis) Plath’s poetry captures the fear in the heart of us all. Fear of failure, fear of unhappiness, fear of hitting the bottom and being unable to claw our way back to sanity. (1) In the poems “Morning Song” and “Child”, Plath is afraid that despite her best intentions she is will not be a good mother to her children. (2) In “Mirror” and “Elm” she fears that her depression & disappointment with life will destroy her. (3) In “Pheasant” and “The Arrival of the Beebox” she worries that power corrupts people in frightening ways. (PR) I found this exploration of human fears and insecurities in her poetry both fascinating & disturbing.

CONCLUSION: MAKE SURE TO USE THE WORDS FROM THE QUESTION but don’t simply repeat what you said in the introduction and don’t introduce new ideas.

Each conclusion must:

  • Link the last paragraph to the first.
  • Repeat the thesis (main idea) but rephrase it.
  • Taking each idea in turn (1. motherhood, 2. depression, 3. power) say what you learned from studying each issue & this poet in general. By doing this you will be showing how you have proved your thesis/answered the Q

 Sample conclusion:

(Thesis) Thus we see that Plath’s poetry begins in fear and ends in fear. Yet studying her poetry and getting an insight into her personal demons was for me an uplifting as well as a depressing experience. (1)I personally admired her determination to provide only the best for her children and learnt that parenting can involve many difficult challenges. (2)I found her exploration of the loss of youth in Mirror and the loss of love & sanity in Elm truly disturbing, but in a positive way these poems encouraged me to avoid putting pressure on myself to be ‘perfect’ in appearance and behaviour. (3) Finally, Plath’s poetry challenged me to avoid exploiting the power I have over nature and to have a greater respect for the environment. Accompanying Plath on her journey to the bottom was not easy but I learnt a lot about life on the way and I would strongly recommend her poetry despite it’s difficult subject matter.

Some obvious things that need to be said:

Don’t put in the bits in bold/brackets – I’m just putting them in to make it really obvious what each sentence is doing.

This is a good introduction and conclusion FOR THIS PARTICULAR ESSAY TITLE. But don’t be rubbing your hands together in glee, saying ‘yey, I’ll just learn off this introduction and conclusion and write them if Plath comes up‘ – you can’t write a definitive introduction and conclusion in advance because you don’t know what the question will be until you open the exam paper. And you MUST answer the question. And there’s also the not so small matter of plagiarism to consider!

Literary Genre Questions

Sample 70 mark questions:

  • “The unexpected is essential to the craft of story-telling.”Compare how the authors of the comparative texts you have studied used the unexpected in their texts. You may confine your answer to key moments in the texts.
  • “The creation of memorable characters is part of the art of good story-telling.” Write an essay comparing the ways in which memorable characters were created and contributed to your enjoyment of the stories in the texts you have studied for your comparative course. It will be sufficient to refer to the creation of one character from each of your chosen texts.    (70)
  • Write a talk to be given to Leaving Certificate students in which you explain the term Literary Genre and show them how to compare the telling of stories in at least two texts from the comparative course.    (70)
  • “Literary Genre is the way in which a story is told.” Choose at least two of the texts you have studied as part of your comparative course and, in the light of your understanding of the term Literary Genre, write a comparative essay about the ways in which their stories are told. Support the comparisons you make by reference to the texts.    (70)
  • Write an essay on one or more of the aspects of literary genre (the way texts tell their stories) which you found most interesting in the texts you studied in your comparative course. Your essay should make clear comparisons between the texts you choose to write about.

Sample 30/40 mark questions

“Aspects of narrative contribute to your response to a text.”
(a)With reference to one of your chosen texts, identify at least two aspects ofnarrative and discuss how those aspects contributed to your response to that text.    (30)
(b)With reference to two other texts compare how aspects of narrative contributed to your response to these texts.
In answer to question (b) you may use the aspects of narrative discussed in (a) above or any other aspects of narrative.    (40)

“A good text will have moments of great emotional power.”
(a)With reference to a key moment in one of your texts show how this emotional power was created.    (30)
(b)Take key moments from the other two texts from your comparative course and compare the way in which the emotional power of these scenes was created. (40)

“Powerful images and incidents are features of all good story-telling.”
(a)Show how this statement applies to one of the texts on your comparative course.    (30)
(b)Compare the way in which powerful images and incidents are features of the story-telling in two other texts on your comparative course. Support the comparisons you make by reference to the texts. (40)

“No two texts are exactly the same in the manner in which they tell their stories.”
(a)Compare two of the texts you have studied in your comparative course in the light of the above statement. Support the comparisons you make by reference to the texts.    (40)
(b)Write a short comparative commentary on a third text from your comparative study in the light of your discussion in part (a) above.    (30)

“Texts tell their stories differently.”

(a)Compare two of the texts you have studied in your comparative course in the light of the above statement.    (40)
(b)Write a short comparative commentary on a third text from your comparative study in the light of your answer to question (a) above.    (30)

Studied poetry: mistakes.

  1. Ignoring the question: if you are asked for a personal response to a poet’s work, every paragraph must contain at least two sentences which include the word “I”. If you are given a statement to discuss, keep using the words from the question (and synonyms) and showing how what you’re discussing is relevant to the question asked. Don’t just rewrite the question at the end of every paragraph and hope this will do – it won’t!

  2. Writing the name of the poem incorrectly (or worse getting the name of the poem wrong!). When you write the name of a poem, use capital letters and quotation marks eg “The War Horse”, “A Constable Calls”

  1. Lack of quotes! The sure sign of a bluffer. Quotes provide proof that you

    (a)know the poems and (b) can back up any statements you make with concrete evidence.

  1. Quotes at the beginning of sentences/paragraphs. Never write down the quote and then comment on it. This suggests you’re just throwing the quote on the page and then making up something to say about it. Bad idea! The rule is statement FOLLOWED by quote. This way you show you are in control of what you want to say.
  1. Telling the STORY of the poem – sum up what the poem is about in ONE or two sentences. Leave it at that. Your job is to analyse the way the ideas are expressed (techniques), the feelings the poem contains & creates in you, the way ideas recur and develop from poem to poem. Comment on the ideas rather than just saying what ideas the poem contains.

  1. Lack of personal response! You need to show that studying this poet has changed your perspective on life, taught you something valuable, opened your eyes to an issue you had previously ignored, provoked an emotional response, connected to something in your own life. Your job is to convince the reader that this poet is worth a closer look. However, don’t ramble off on a tangent about yourself (there was this one time, at band camp… yawn!). Ultimately you are offering a detailed analysis of the poetry, not a diary of your life. A good rule of thumb is to confine personal response to two sentences per paragraph.

  1. Long rambling sentences, paragraphs that sprawl to over a page, pointless repetition. Try to form the sentence in your head before you write it down. DO NOT vomit onto the page. If you can say what you need to say neatly and concisely in 2 sentences instead of 6 – DO. Try to avoid saying the same thing a couple of different ways. Make your point and move on. The examiner is looking for economy of language: each sentence is crammed with information; no idea or quote is ever repeated; essay is carefully structured into neat paragraphs; linking phrases are used to create flow from idea to idea and from paragraph to paragraph.
  1. Poem by poem analysis which doesn’t establish links between them – you are giving an overview of the poet’s work, showing how the poems fit together, analysing common themes or recurring techniques. Do not just write three mini essays on individual poems. Link them! Each paragraph should begin with a topic sentence. This topic sentence can be thematic, stylistic or tonal.

e.g. THEMATIC = “Boland explores historical events from a deeply personal and individual viewpoint”

e.g. STYLISTIC = “Eavan Boland makes wonderful use of contrast in many of her poems, to bring each issue she deals with into sharper focus”

e.g. TONAL = “Boland masterfully evokes the depth of human suffering in her poems”

Theme or Issue Questions

For higher level sometimes you are asked to discuss “at least two texts” so only discussing 2 if the question is worded in this way is fine. More often than not you are told to discuss all three.. If it says “the texts you have studied” then you MUST answer on three texts because the syllabus tells you to study three texts.

At ordinary level you are almost always only expected to discuss two texts.

Sample 70 mark questions:

Studying a theme or issue enables a reader to form both personal and universal reflections on that theme or issue” Discuss in relation to two or more texts.

Important themes are often expressed in key moments in texts” Compare how the authors of the three comparative texts studied by you used key moments to heighten your awareness of an important theme.

A reader’s view of a theme or issue can be either changed or reinforced through interaction with texts.”

There are key moments in a text when a theme comes sharply into focus” Discuss.

The dramatic presentation of a theme or issue can add greatly to the impact of narrative texts

Exploring a theme or issue through different texts allows us to make interesting comparisons

A theme or issue explored in a group of narrative texts can offer us valuable insights into life

Sample 30 / 40 mark questions:

In many texts, a theme or issue may not be resolved to the complete satisfaction of the reader

(a) Discuss the extent to which a theme or issue is resolved to your satisfaction in one text on your comparative course. (b) Compare the extent to which the same theme or issue is resolved to your satisfaction in two other texts on your comparative course.

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(a) Choose a theme from one text you have studied and say how it helped maintain your interest in the text. (30) (b) Compare how the theme is treated by the authors of two other texts to maintain the reader’s interest. (40)

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The comparative study of a theme or issue allows the reader to gain a variety of viewpoints on that theme or issue

(a) Describe the viewpoint on your chosen theme in one text you have studied. (30)

(b) Compare the viewpoint on the same theme in your other two texts. (40)

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(a) Compare how key moments of two texts you have studied raised an important theme or issue. (40)

(b) In the case of a third text show how a key moment helped in your understanding of the same theme or issue. (30)

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The study of a theme or issue can offer a reader valuable lessons and insights.”
(a)    Identify and discuss at least one valuable lesson or insight that you gained through the study of a theme or issue in one text on your comparative course.    (30)
(b)    Compare at least one valuable lesson or insight that you gained, from studying the same theme or issue (as discussed in (a) above), in two other texts on your comparative course. The valuable lesson or insight may be the same, or different, to the one discussed in (a) above.    (40)

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General Vision & Viewpoint Questions

Sample 70 mark questions:

  • “The general vision & viewpoint is shaped by the reader’s feeling of optimism or pessimism in reading the text”
  • “Each text we read presents us with an outlook on life that may be bright or dark or a combination of brightness & darkness”
  • “The general vision and viewpoint of texts can be quite similar or very different”
  • “The general vision and viewpoint of a text can be determined by the success or failure of a central character in his/her efforts to achieve fulfilment.”

Sample 30 / 40 mark questions:

(a)    How did you come to your understanding of the general vision and viewpoint in any one of the texts you read as part of your comparative course?    (30)
(b)    Write a comparison between two other texts on your course in the light of your understanding of the general vision and viewpoint in those texts.    (40)


(a) Choose a key moment from one of your chosen texts & show how it influenced your understanding of the gen. v & v (30)
(b) With reference to 2 other texts compare the way in which key moments influence your understanding of the general vision & viewpoint. (40)

(a) Write a note on the general vision & viewpoint of one text and on how it is communicated to the reader. (30)
(b) Compare the general vision & viewpoint in two other texts. (40)

(a) What did you enjoy about the exploration of the general vision & viewpoint in any one of the texts you studied. (30)
(b) Write a short comparison of your two other texts in the light of your answer to part (a) above. (40)