Tag Archives: english

Reviews

You may be asked to write a review of a

ONE: storytelling

  • book you have read
  • film you have seen
  • tv show

TWO: music

  • CD or iTunes album you have listened to
  • concert you’ve attended
  • theatre performance (play, ballet, stand-up comedy) you’ve attended

THREE: games

  • video game you have played
  • app you’ve downloaded
  • board game

FOUR: devices

  • mobile phone
  • mp3 player
  • games console
  • e-book reader

FIVE: places

  • restaurant / cafe
  • hotel
  • travel company
  • shop / chain of shops / online shop

So what do you do?

  1. Introduce – begin with a dramatic statement. Never begin a review by telling the reader that you are writing a review. They already know that and will think you are very stupid for stating the obvious (“I am writing a review of…”  blah blah blah yawn). Instead try this: “The eagerly anticipated sequel to the best-selling [name of book/CD/film/video game] is finally here and let me tell you it does not disappoint“.  Or this: “Let me offer you fair warning dear readers –  [name of book/CD/film/video game] offers a dark, intense, disturbing glimpse of the human condition“. Or this: “Critics will love [name of book/CD/film/video game] but the public won’t be impressed. Let me tell you why…
  2. Details – but no plot spoilers! don’t tell the entire story or give away every detail of the book/CD/game/performance. If the thing you’re reviewing is any good, you want to make the reader curious enough to buy the book/CD/game or go to the performance to see it for themselves. They won’t still be curious if you tell them everything. The amount of time given to plot/individual songs etc.. varies widely from review to review.  You might mention basic plot outline, recurring themes, use of symbolism, feelings evoked in the audience/reader/listener/gamer.
  3. Evaluation – what works, what doesn’t and why! Remember you must give concrete reasons WHY you liked or disliked the book/ CD/ game/ performance. Avoid generalisations like “the story/music/game was very moving“. Instead be more specific “the scene/song where Amos loses the only friend he has left in the world is enough to move even the hardest teenage heart to tears. Thank God the room’s in darkness, eh?“.
  4. Recommendation –  who should buy/see this book / CD / game / concert /performance and why? Keep this bit of your review short and sweet. Is this thing worth buying/seeing? (Sum up why). For everyone or just a select target audience?

FILM REVIEW – checklist

Name of film, release date, age rating, director, cast (actors & actresses), screenwriters, running time, plot, characters, dialogue, cinematography, sets/locations, special effects & CGI, genre, soundtrack, favourite scenes, ending (satisfying/shocking/sad? – but don’t give the ending away), background info (other films in this franchise/ by this director/ this film remind you of).

Phrases for film reviews =

Characters: well-developed, believable, likeable, flawed, endearing, unconvincing, one dimensional, protagonist, antagonist, villain, hero, heroine, gangster, psycho, love-interest etc…

Genre:  Fairy-tale romance, action-packed thriller, edge-of-your-seat terror/horror, gross-out comedy, period drama, kids animation with an adult sense of humour, sci-fi adventure, summer blockbuster, monster movie etc…

Plot: laugh out loud funny, full of in your face violence,  suspense, familiar scenes of family life, car chases, gags, engrossing, gripping, emotionally engaging, soppy and melodramatic, pretentious, moves quickly to a breathtaking conclusion, loses its way at times, crams too much into the final half hour, grips from the first second, is convoluted and difficult to follow, is predictable and lacklustre, is slow moving but intense, offers a fantastic psychological roller-coaster of emotions, climax is satisfying/ unexpected/ predictable/ disappointing/ uplifting/ depressing/ shocking/ memorable/ creepy/ terrifying/ charming.

If like me you love movies, check out Mark Kermode’s film reviews on his podcast or go to http://www.empireonline.com/

MUSIC REVIEW – checklist

Number of tracks, sequence of tracks, genre (hip-hop, dance, reggae, jazz etc), pace/speed of songs, other albums by this band, lyrics, themes, emotions, vocals, harmonies, instruments – guitar solos, drumming, orchestral accompaniment, quotes from lead singer, background to the albums release, comparison to other similar bands/singers.

To read music and concert reviews &  get a sense of what is expected look at: http://www.hotpress.com

http://www.nme.com

http://www.qthemusic.com

VIDEO GAME REVIEW -checklist???

I confess to having zero interest in gaming so I might have to get one of my mates to come up with a checklist for what goes into a game review. In the meantime check out Ben Croshaw’s zeropunctuation for some hilariously entertaining reviews.

BOOK REVIEWS – checklist

Author biography, previous books published, genre, plot, characterisation, style of writing, quotes from author interview, nominations for awards, target audience, favourite scenes, ending (satisfying/shocking/sad? – but don’t give the ending away).

Check out the book reviews in The Guardian.

PERFORMANCE REVIEWS – checklist

Acting, blocking (movement on stage), body language/gestures, facial expressions, tone of voice, costume, props, set design & setting, sound effects, music, lighting, plot, themes, emotions, favourite scenes, ending (satisfying/ shocking/ sad? – but don’t give the ending away), quotes from director and actors/actresses.

Check out theatre reviews in the Irish Theatre magazine or in The Guardian.

 

Junior Cert English 1

Here’s an overview of the different sections on Paper 1 and links to the relevant sections on this site that you might find useful.

Paper 1

Section 1: Reading Comprehension – HALF AN HOUR – 40 marks

Most of the advice for answering comprehensions is the same as for Leaving Cert but you only have half an hour so the questions are easier and your answers can be shorter and less detailed. They tend to ask one style question.

Section 2: Personal Writing – 1 HOUR – 70 marks – choice of 7 or 8 titles

Most of the advice is the same for essay writing and for specific styles such as short stories, personal essays, speeches, articles, dialogues and diary entries.

However, in the leaving cert they will tell you what style to write in, whereas in the Junior Cert it says at the top of the page “Except where otherwise stated, you are free to write in any form you wish e.g. narrative, descriptive, dramatic, short story” (as if ‘dramatic’ is a style! who sets this paper?)

Section 3: Functional writing – HALF AN HOUR – 30 marks

The range of questions they can ask is huge. Generally speaking you are using formal, informative language but not always. Don’t freak out if you think you couldn’t do some of the tasks below – you always have a choice in the exam.

Questions have included asking you to write a

Section 4: Media studies – HALF AN HOUR – 40 marks

Again the range of questions is quite broad. You can be asked to discuss

  • an ad (target market/audience, visuals, effectiveness, compare ads)
  • a magazine (contents page – layout)
  • an editorial
  • a review
  • posters
  • cartoons
  • media (radio, television, newspapers, internet) as a force for changing people’s opinions
  • talk-radio (type of show that appeals to teenagers / difference between local & national radio)
  • television (watershed & classification of programmes, difference between radio & television, advantages & disadvantages)
  • newspapers (broadsheets v’s tabloids, layout of front page)
  • a news story (newsworthiness)
  • news sources – newspapers, radio, television, internet (effectiveness to deliver info and to promote products/services)
  • designer labels

Or to write a


Junior Cert English 2

Here’s the lowdown on Paper 2:

Section 1 DRAMA – 20 mins for unseen, 25mins for studied.

Unseen drama – there are two drama excerpts but you only need to answer on one.

The first is Shakespearean, and although the language is more difficult, the questions tend to be slightly easier. The second is modern drama.

There are usually three questions (15 marks each) and you need to answer two BUT NOT ALWAYS, sometimes they ask you to answer all three (10 marks each) so read the paper carefully. The type of questions that come up are:

  1. Describe a character or the relationship between two characters (see list of personality traits). Pick a character you like & explain why. Write a character sketch.
  2. What is the main theme/message in the extract?
  3. Describe the mood (dramatic/serious/tense/humorous…)
  4. Describe the setting.
  5. Imagine you are directing this scene – discuss two or more of the following: acting, blocking (movement on stage), body language/gestures, facial expressions, tone of voice, costume, props, set design & setting, sound effects, music, lighting.
  6. Write an ending for the scene / continue the scene / write a dialogue between two of the characters (including stage directions)

Studied drama – there are usually two questions and you answer whichever one you prefer. Sometimes you are asked to write an essay style answer for 30marks, sometimes they ask you to answer two related 15 mark questions. Try to write between one and a half and two pages but don’t go over the time allocated – 25 mins. The type of questions that come up ask you to write / write about

  1. A central character (a winner or a loser, lucky or unlucky, your favourite character, hero, heroine, villain)
  2. The relationship between two characters (they might specify – a tense/conflicted/loving/close/important relationship)
  3. Character profiles & an introduction to the play (focusing on the main theme) for the programme.
  4. Discuss the main theme/message of the play (2006 they specified one of these 4 themes: love/death/conflict/harmony) and show how this is relevant to your own life.
  5. Discuss the mood of the play (serious or lighthearted) and the impact this had on you.
  6. Describe the world of the play & discuss whether you would/would not like to live in this society.
  7. Would you recommend this play? (plot, setting, themes, characterisation, style of writing, opening & ending)
  8. A scene from the play – one filled with conflict or the most dramatic/memorable/tense/atmospheric/happy/sad/funny/tragic and discuss how this mood/feeling is created.
  9. Describe how you would produce a scene from the play you have studied.
  10. The opening scene or the final scene(s)  – their impact on the audience & on you personally.

Section 2 Poetry – 20 mins for unseen, 25mins for studied

Unseen poetry  – there are usually three questions (15 marks each) and you need to answer two BUT NOT ALWAYS, sometimes they ask you to answer all three (10 marks each) so read the paper carefully. The type of questions that come up are:

  1. Describe the speaker /poet / the poet’s relationship with a person, place, issue or event (see list of personality traits)
  2. Describe the mood in the poem / how is this mood created.
  3. Identify the theme (explain the central message of the poem in your own words)
  4. Discuss the style of writing (imagery /sound effects /structure /rhythm etc…) and explain why these features appeal to you.
  5. Do you like the poem (why/why not?)
  6. Discuss the title or choose a suitable title for this poem.

Studied poetry – there are usually two questions and you answer whichever one you prefer. Sometimes you are asked to write an essay style answer for 30marks, sometimes they ask you to answer two related 15 mark questions. Try to write between one and a half and two pages but don’t go over the time allocated – 25 mins.The type of questions that come up ask you to discuss a poem

  1. which deals with an important issue & the insights it gave you.
  2. which made you think.
  3. a love poem.
  4. which deals with either war or peace.
  5. which deals with youth or old age.
  6. setting / set in an interesting time or place.
  7. An unusual poem (unusual style/subject matter/experience).
  8. which celebrates a person, place or thing.
  9. with vivid imagery / which offers vivid images of a person.
  10. filled with imagination.
  11. which describes the poet’s wishes or thoughts.
  12. A poem with an interesting title.
  13. with interesting sound effects / musical qualities.
  14. Your favourite poem (for inclusion in an anthology).
  15. A poem with a special personal meaning for you.
  16. Compare two poems which deal with a similar theme.
  17. Compare the poem you liked best with the poem you liked least.
  18. Your favourite poet.

Section 3 – Fiction- 20 mins for unseen, 25mins for studied

Unseen fiction – there are usually three questions (15 marks each) and you need to answer two BUT NOT ALWAYS, sometimes they ask you to answer all three (10 marks each) so read the paper carefully. The type of questions that come up are:

  1. Describe a character / the relationship between two characters.
  2. Describe the mood and how it is created.
  3. Discuss the way the setting is described – does it bring the place to life for you?
  4. Discuss the style of writing – do you like the way the piece is written?
  5. Does this extract make you want to read on? Why/why not?
  6. Discuss the themes / relevance to a teenage audience.
  7. Write a dialogue based on the extract.
  8. Predict an ending for the extract.

In 2004 they indirectly asked a question about catharsis – tough question! It was phrased like this “We enjoy reading stories because they enable us to explore the outer edges of the unknown, strangeness, things that cannot be explained – without feeling any danger to ourselves”. Do you agree?

On the surface this seems like a really tough question so let me make it simpler for you. Have you ever wondered why you like horror movies? Or violent video games (even though you’re not a violent person in real life)? Or Eastenders (it’s so bloody miserable and depressing all the time)? Or books that make you cry (I’m not a fan of PS I Love You but most of my – female – students love it)?

Some people suggest that we like all of these things because they’re not real. We can experience scary things in a fantasy way without putting our ‘real’ self in danger -the fear/rage/depression/sadness leave us as soon as we switch our brains off from the movie/video game/telly/book.

This process of temporarily experiencing negative emotions and then ‘cleansing’ them is known as catharsis. We enjoy this process because it helps us to lose ourselves in someone else’s life for a while (if our own life sucks) or to appreciate how good we have it (if our own life is better than what we’ve just watched) when the movie/video game/telly/book ends.

Studied fiction – there are usually two questions and you answer whichever one you prefer. Sometimes you are asked to write an essay style answer for 30marks, sometimes they ask you to answer two related 15 mark questions. Try to write between one and a half and two pages but don’t go over the time allocated – 25 mins. The type of questions that come up are:

  1. Describe a central character (one you admire, one who experiences change, one who makes an impact on others)
  2. The relationship between two characters (they might specify – a conflicted/loving relationship)
  3. Describe the setting of your novel / short story and explain how it is important to the plot.
  4. Describe the mood or atmosphere of a novel or short story you have studied.
  5. Discuss an interesting theme / conflict between good and evil.
  6. Discuss a twist / surprise / unexpected development and how this added to your enjoyment of the book / short story.
  7. Discuss features of the writer’s style which you found interesting.
  8. Rate your novel out of 5 stars and justify your rating OR would you recommend this novel to your peers OR would you nominate it for an award (one year they gave prompts that you might like to discuss – plot, setting, themes, characterisation, style of writing, opening & ending).
  9. Choose your favourite section. Describe what happens and say why you enjoyed it/found it memorable.
  10. Discuss the opening or ending of a novel / short story you have studied & say whether or not it impressed you.
  11. Discuss the appropriateness of the title of the novel.

Directing a scene…

You are often asked the following question:

Imagine you are directing this scene – discuss two or more of the following: acting, blocking (movement on stage), body language/gestures, facial expressions, tone of voice, costume, props, set design & setting, sound effects, music, lighting.

Here are some of the things you should consider – the following was compiled by my sister who works in a theatre in London & thus is my guru on all things thespian!

COSTUMES:

  • ERA – when the play takes place. Think about what kind of clothes people wore then. If you don’t know google it or look for old photos.
  • PERSONALITY OF THE CHARACTER – what can you reveal about them from the clothes they wear?
  • FUNCTIONALITY -will their costume get dirty? do you need a clean shirt for eah performance? how often will they have to change clothes? will they have time? should they wear layers? will they be too hot?
  • MAKE-UP, WIGS, BEARDS are usually the responsibility of the wardrobe department. Do they need to look older? Younger? Hairier?

SET & SETTING

  • REALISM – do you want the set to look like a real place?
  • SYMBOLISM – is the set trying to show an idea visually?
  • SCENE CHANGES / LOCATIONS – How many? How often?
  • COLOURS & MATERIALS – Real wood / furniture or scenic painting?
  • CONSTRAINTS OF THE SPACE / SIGHTLINES – Are there pillars etc.. which you need to build around?

PROPS

  • ERA – how does a modern TV look different from one from the 60’s? Should they write with a biro or a quill?
  • FUNCTIONALITY -how are they used? who move them on & off?
  • REALISM / DETAIL – how close are the audience to the props?
  • DURABILITY – will they survive being handled by the actors every night for the entire run?
  • CONSUMABLES – is there food/drink/something which gets broken? If so they will need to be replaced every performance.

FACIAL EXPRESIONS/GESTURES/ACTING

  • EXPRESSIONS -raising an eyebrow, frowning, dead-pan, smiling (real or fake?), mouth open, eye contact?
  • GESTURES -posture, arms crossed, hands gesticulating, legs crossed (away or towards?), nail biting, fiddling (with hair, prop), fidgeting, fists clenched, nodding head, scratching head, shaking, spitting, picking nose!
  • ACTING  – speed of movement, position on stage, closeness/distance from other actors, pauses. Realistic acting or melodrama?

LIGHTING

  • COLOURS -is it warm/cold/romantic/frightening? Do you use natulalistic colours (daylight) or bright splashes of colour?
  • ANGLES – do you want spooky shadows? brightly lit? muted candlelight?
  • 3 POINT LIGHTING – to make the actors look naturalistic you need to light them from 3 ifferent directions.
  • INTENSITY – from which direction is the light strongest? Is the un/moon shining from one direction? Or is the stage evenly lit all over?
  • EFFECTS/GOBOS – do you want to project a sign / have flickers?

MUSIC / SOUND EFFECTS / TONE OF VOICE

  • BACKGROUND -are they setting the scene? should the audience be aware of them or not?
  • SPECIAL SOUND EFFECTS – eg gunshot, doorbell, phone etc… Does it interrupt the action? Is it expected or not?
  • MUSIC – does it add to the atmosphere? How loud do you want it to be? Is it live or recorded?
  • TONE OF VOICE – extremely important for revealing the mood of the character. What feeling are they revealing when they speak? What volume do they speak at? Can they project adequately? If they whisper, use stage whispers. Does any character have a stutter? lisp? accent?

Question B advice

What do I need to think about before I start writing?

Imagine your answer is a SUITCASE – the examiner is looking for certain TAGS.

T = Topic. Stick to the topic. Have plenty of ideas. Identify problems but also offer solutions.

A = Audience. Who are you writing for? What kind of language is appropriate? (formal/informal)

G = Genre. Are you writing a diary/report/speech etc…? What layout is expected?

S = Style. What techniques will you use? Emphatic words, vivid imagery, address audience etc…?

If these elements are there then you should have everything you need in your answer.

You cannot answer QA & QB on the same text.

If you do you lose 25% of the marks for Paper 1.

What can I be asked to write?

Report / memo

Leaflet/Guidelines

Letter (may be based on the text)

Reviews

Proposal

Advertisement

Diary entries (may be based on the text)

Dialogue/Script

Interview

 

How much should I write? 1½ – 2pgs

How long do I have? 45Mins

Do I need to read the text the QB follows?

Often you are asked to base your answer on the information in the text so you will have to read it quickly to get ideas.

The examiners will reward ‘creative modeling’.

This means you can use the ideas in the text BUT you cannot just re-write sentences word-for-word and pretend you’ve come up with them yourself (this is plagiarism.)

They are expecting you to model the same style – if the writer used quotes, you should too (but different ones), if the writer included an anecdote you should do (but your own anecdote…). You must add your own personality & imagination. Don’t steal the ideas, challenge them, add something new, model a similar style but different content.