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Junior Cert English 1

Here’s an overview of the different sections on Paper 1 and links to the relevant sections on this site that you might find useful.

Paper 1

Section 1: Reading Comprehension – HALF AN HOUR – 40 marks

Most of the advice for answering comprehensions is the same as for Leaving Cert but you only have half an hour so the questions are easier and your answers can be shorter and less detailed. They tend to ask one style question.

Section 2: Personal Writing – 1 HOUR – 70 marks – choice of 7 or 8 titles

Most of the advice is the same for essay writing and for specific styles such as short stories, personal essays, speeches, articles, dialogues and diary entries.

However, in the leaving cert they will tell you what style to write in, whereas in the Junior Cert it says at the top of the page “Except where otherwise stated, you are free to write in any form you wish e.g. narrative, descriptive, dramatic, short story” (as if ‘dramatic’ is a style! who sets this paper?)

Section 3: Functional writing – HALF AN HOUR – 30 marks

The range of questions they can ask is huge. Generally speaking you are using formal, informative language but not always. Don’t freak out if you think you couldn’t do some of the tasks below – you always have a choice in the exam.

Questions have included asking you to write a

Section 4: Media studies – HALF AN HOUR – 40 marks

Again the range of questions is quite broad. You can be asked to discuss

  • an ad (target market/audience, visuals, effectiveness, compare ads)
  • a magazine (contents page – layout)
  • an editorial
  • a review
  • posters
  • cartoons
  • media (radio, television, newspapers, internet) as a force for changing people’s opinions
  • talk-radio (type of show that appeals to teenagers / difference between local & national radio)
  • television (watershed & classification of programmes, difference between radio & television, advantages & disadvantages)
  • newspapers (broadsheets v’s tabloids, layout of front page)
  • a news story (newsworthiness)
  • news sources – newspapers, radio, television, internet (effectiveness to deliver info and to promote products/services)
  • designer labels

Or to write a


Junior Cert English 2

Here’s the lowdown on Paper 2:

Section 1 DRAMA – 20 mins for unseen, 25mins for studied.

Unseen drama – there are two drama excerpts but you only need to answer on one.

The first is Shakespearean, and although the language is more difficult, the questions tend to be slightly easier. The second is modern drama.

There are usually three questions (15 marks each) and you need to answer two BUT NOT ALWAYS, sometimes they ask you to answer all three (10 marks each) so read the paper carefully. The type of questions that come up are:

  1. Describe a character or the relationship between two characters (see list of personality traits). Pick a character you like & explain why. Write a character sketch.
  2. What is the main theme/message in the extract?
  3. Describe the mood (dramatic/serious/tense/humorous…)
  4. Describe the setting.
  5. Imagine you are directing this scene – discuss two or more of the following: acting, blocking (movement on stage), body language/gestures, facial expressions, tone of voice, costume, props, set design & setting, sound effects, music, lighting.
  6. Write an ending for the scene / continue the scene / write a dialogue between two of the characters (including stage directions)

Studied drama – there are usually two questions and you answer whichever one you prefer. Sometimes you are asked to write an essay style answer for 30marks, sometimes they ask you to answer two related 15 mark questions. Try to write between one and a half and two pages but don’t go over the time allocated – 25 mins. The type of questions that come up ask you to write / write about

  1. A central character (a winner or a loser, lucky or unlucky, your favourite character, hero, heroine, villain)
  2. The relationship between two characters (they might specify – a tense/conflicted/loving/close/important relationship)
  3. Character profiles & an introduction to the play (focusing on the main theme) for the programme.
  4. Discuss the main theme/message of the play (2006 they specified one of these 4 themes: love/death/conflict/harmony) and show how this is relevant to your own life.
  5. Discuss the mood of the play (serious or lighthearted) and the impact this had on you.
  6. Describe the world of the play & discuss whether you would/would not like to live in this society.
  7. Would you recommend this play? (plot, setting, themes, characterisation, style of writing, opening & ending)
  8. A scene from the play – one filled with conflict or the most dramatic/memorable/tense/atmospheric/happy/sad/funny/tragic and discuss how this mood/feeling is created.
  9. Describe how you would produce a scene from the play you have studied.
  10. The opening scene or the final scene(s)  – their impact on the audience & on you personally.

Section 2 Poetry – 20 mins for unseen, 25mins for studied

Unseen poetry  – there are usually three questions (15 marks each) and you need to answer two BUT NOT ALWAYS, sometimes they ask you to answer all three (10 marks each) so read the paper carefully. The type of questions that come up are:

  1. Describe the speaker /poet / the poet’s relationship with a person, place, issue or event (see list of personality traits)
  2. Describe the mood in the poem / how is this mood created.
  3. Identify the theme (explain the central message of the poem in your own words)
  4. Discuss the style of writing (imagery /sound effects /structure /rhythm etc…) and explain why these features appeal to you.
  5. Do you like the poem (why/why not?)
  6. Discuss the title or choose a suitable title for this poem.

Studied poetry – there are usually two questions and you answer whichever one you prefer. Sometimes you are asked to write an essay style answer for 30marks, sometimes they ask you to answer two related 15 mark questions. Try to write between one and a half and two pages but don’t go over the time allocated – 25 mins.The type of questions that come up ask you to discuss a poem

  1. which deals with an important issue & the insights it gave you.
  2. which made you think.
  3. a love poem.
  4. which deals with either war or peace.
  5. which deals with youth or old age.
  6. setting / set in an interesting time or place.
  7. An unusual poem (unusual style/subject matter/experience).
  8. which celebrates a person, place or thing.
  9. with vivid imagery / which offers vivid images of a person.
  10. filled with imagination.
  11. which describes the poet’s wishes or thoughts.
  12. A poem with an interesting title.
  13. with interesting sound effects / musical qualities.
  14. Your favourite poem (for inclusion in an anthology).
  15. A poem with a special personal meaning for you.
  16. Compare two poems which deal with a similar theme.
  17. Compare the poem you liked best with the poem you liked least.
  18. Your favourite poet.

Section 3 – Fiction- 20 mins for unseen, 25mins for studied

Unseen fiction – there are usually three questions (15 marks each) and you need to answer two BUT NOT ALWAYS, sometimes they ask you to answer all three (10 marks each) so read the paper carefully. The type of questions that come up are:

  1. Describe a character / the relationship between two characters.
  2. Describe the mood and how it is created.
  3. Discuss the way the setting is described – does it bring the place to life for you?
  4. Discuss the style of writing – do you like the way the piece is written?
  5. Does this extract make you want to read on? Why/why not?
  6. Discuss the themes / relevance to a teenage audience.
  7. Write a dialogue based on the extract.
  8. Predict an ending for the extract.

In 2004 they indirectly asked a question about catharsis – tough question! It was phrased like this “We enjoy reading stories because they enable us to explore the outer edges of the unknown, strangeness, things that cannot be explained – without feeling any danger to ourselves”. Do you agree?

On the surface this seems like a really tough question so let me make it simpler for you. Have you ever wondered why you like horror movies? Or violent video games (even though you’re not a violent person in real life)? Or Eastenders (it’s so bloody miserable and depressing all the time)? Or books that make you cry (I’m not a fan of PS I Love You but most of my – female – students love it)?

Some people suggest that we like all of these things because they’re not real. We can experience scary things in a fantasy way without putting our ‘real’ self in danger -the fear/rage/depression/sadness leave us as soon as we switch our brains off from the movie/video game/telly/book.

This process of temporarily experiencing negative emotions and then ‘cleansing’ them is known as catharsis. We enjoy this process because it helps us to lose ourselves in someone else’s life for a while (if our own life sucks) or to appreciate how good we have it (if our own life is better than what we’ve just watched) when the movie/video game/telly/book ends.

Studied fiction – there are usually two questions and you answer whichever one you prefer. Sometimes you are asked to write an essay style answer for 30marks, sometimes they ask you to answer two related 15 mark questions. Try to write between one and a half and two pages but don’t go over the time allocated – 25 mins. The type of questions that come up are:

  1. Describe a central character (one you admire, one who experiences change, one who makes an impact on others)
  2. The relationship between two characters (they might specify – a conflicted/loving relationship)
  3. Describe the setting of your novel / short story and explain how it is important to the plot.
  4. Describe the mood or atmosphere of a novel or short story you have studied.
  5. Discuss an interesting theme / conflict between good and evil.
  6. Discuss a twist / surprise / unexpected development and how this added to your enjoyment of the book / short story.
  7. Discuss features of the writer’s style which you found interesting.
  8. Rate your novel out of 5 stars and justify your rating OR would you recommend this novel to your peers OR would you nominate it for an award (one year they gave prompts that you might like to discuss – plot, setting, themes, characterisation, style of writing, opening & ending).
  9. Choose your favourite section. Describe what happens and say why you enjoyed it/found it memorable.
  10. Discuss the opening or ending of a novel / short story you have studied & say whether or not it impressed you.
  11. Discuss the appropriateness of the title of the novel.

Directing a scene…

You are often asked the following question:

Imagine you are directing this scene – discuss two or more of the following: acting, blocking (movement on stage), body language/gestures, facial expressions, tone of voice, costume, props, set design & setting, sound effects, music, lighting.

Here are some of the things you should consider – the following was compiled by my sister who works in a theatre in London & thus is my guru on all things thespian!

COSTUMES:

  • ERA – when the play takes place. Think about what kind of clothes people wore then. If you don’t know google it or look for old photos.
  • PERSONALITY OF THE CHARACTER – what can you reveal about them from the clothes they wear?
  • FUNCTIONALITY -will their costume get dirty? do you need a clean shirt for eah performance? how often will they have to change clothes? will they have time? should they wear layers? will they be too hot?
  • MAKE-UP, WIGS, BEARDS are usually the responsibility of the wardrobe department. Do they need to look older? Younger? Hairier?

SET & SETTING

  • REALISM – do you want the set to look like a real place?
  • SYMBOLISM – is the set trying to show an idea visually?
  • SCENE CHANGES / LOCATIONS – How many? How often?
  • COLOURS & MATERIALS – Real wood / furniture or scenic painting?
  • CONSTRAINTS OF THE SPACE / SIGHTLINES – Are there pillars etc.. which you need to build around?

PROPS

  • ERA – how does a modern TV look different from one from the 60’s? Should they write with a biro or a quill?
  • FUNCTIONALITY -how are they used? who move them on & off?
  • REALISM / DETAIL – how close are the audience to the props?
  • DURABILITY – will they survive being handled by the actors every night for the entire run?
  • CONSUMABLES – is there food/drink/something which gets broken? If so they will need to be replaced every performance.

FACIAL EXPRESIONS/GESTURES/ACTING

  • EXPRESSIONS -raising an eyebrow, frowning, dead-pan, smiling (real or fake?), mouth open, eye contact?
  • GESTURES -posture, arms crossed, hands gesticulating, legs crossed (away or towards?), nail biting, fiddling (with hair, prop), fidgeting, fists clenched, nodding head, scratching head, shaking, spitting, picking nose!
  • ACTING  – speed of movement, position on stage, closeness/distance from other actors, pauses. Realistic acting or melodrama?

LIGHTING

  • COLOURS -is it warm/cold/romantic/frightening? Do you use natulalistic colours (daylight) or bright splashes of colour?
  • ANGLES – do you want spooky shadows? brightly lit? muted candlelight?
  • 3 POINT LIGHTING – to make the actors look naturalistic you need to light them from 3 ifferent directions.
  • INTENSITY – from which direction is the light strongest? Is the un/moon shining from one direction? Or is the stage evenly lit all over?
  • EFFECTS/GOBOS – do you want to project a sign / have flickers?

MUSIC / SOUND EFFECTS / TONE OF VOICE

  • BACKGROUND -are they setting the scene? should the audience be aware of them or not?
  • SPECIAL SOUND EFFECTS – eg gunshot, doorbell, phone etc… Does it interrupt the action? Is it expected or not?
  • MUSIC – does it add to the atmosphere? How loud do you want it to be? Is it live or recorded?
  • TONE OF VOICE – extremely important for revealing the mood of the character. What feeling are they revealing when they speak? What volume do they speak at? Can they project adequately? If they whisper, use stage whispers. Does any character have a stutter? lisp? accent?

From word to paragraph…

When you brainstorm you’ll often just have individual words written down but if you want to turn a word into a paragraph of prose how do you do it?

I showed my leaving certs how the other day. I asked them for a word. They came up with ‘sex’ (hormones, hormones, hormones).

Then I wrote a list on the board as follows:

  1. Imagery = 5 senses = SIGHT   SOUND   SMELL   TASTE   TOUCH
  2. Rhetorical question
  3. Repetition
  4. Thoughts & Feelings
  5. Short snappy sentences
  6. Suspense
  7. Twist

As we used each technique we crossed it off.

Here’s the paragraph we came up with:

Does he seriously think I’m going to sleep with him? I’m really really drunk and I can smell the stale sweat of his armpits, see the yellow plaque on his teeth. I can taste the puke in my mouth and the thump of a dance tune hammers into my brain. He reaches over and grabs my ass. I’m definitely going to puke again. ‘Get me out of here’ a voice screams in my head. But I can’t leave. You see this is my job. And if I don’t sleep with him my children don’t eat”. 

As a rule I find students need to think less about what they write and more about HOW they write. Having a list of techniques written down forces you to be more stylish in your writing.

Now over to you. Pick a word, any word. Try to write 8 or 10 stylish sentences. As you use each of the techniques above cross them off.

You’ll probably be pleasantly surprised at the result but disheartened at how long it takes.  Practise writing one paragraph every day and you’ll get quicker at it.

Sample speech

Sometimes a persuasive speech will be so well written that you find yourself agreeing with something completely illogical. Look at the example below – it doesn’t make sense logically but it manipulates your emotions and thus convinces you almost in spite of yourself.

Studying it should make you more aware of why people go along with some really crazy ideas (scientology, suicide bombings…). It’s all because of how the writer/speaker makes you feel:

Blowing Hot Steam

Ladies & gentlemen, the time has come to outlaw that most dangerous of domestic appliances – the kettle! We may well smile as we picture our whistling friend as a hatchet-wielding killer; yet this seemingly innocent chrome contraption causes chaos in our homes every year, whilst the media remains suspiciously silent on the issue.

Well I for one am tired of these lies of silence, and for this reason I have spent the last month touring the A&E departments of our countries hospitals, doing a little market research of my own!

Mayo General revealed a shocking array of third degree burns caused by clumsy kettle carrying. One ashen-faced 25yr old (who does not wish to be named) tripped carrying a fully loaded kettle and ended up with the contents searing his nether regions. Needless to say his crown jewels are tarnished beyond repair! Nearby, a dazed and confused pensioner with a nasty purple lump on his temple described being attacked by his kettle-wielding Missus after he refused (one time too many) to get up off the couch and make them a cuppa! Meanwhile, a nail-chewing mother looked on in horror as her darling daughter howled in pain & clawed at the bandages covering her left arm from shoulder to wrist. Never again would making hungover Mommy an industrial strength cup of coffee for Mother’s Day seem like a good idea!!!

And so I say to you my friends, declare war on kettles. Let this marriage-wrecking, family-destroying, genital-mangler of a device be criminalised for once and for all. Canvas your local politician now and let this serious yet swept-under-the-carpet issue take it’s rightful place alongside the war on terror, the war on drugs and the war on organised crime.  

Look at the techniques used here – connect to audience, alliteration, hyperbole, emphatic words, vivid imagery, eye-witness testimony, sarcasm, list, an order (canvas you local politician), repetition of a key phrase.